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jazz blues standards for singers

Blues standards come from different eras and styles, such as ragtime-vaudeville, Delta and country blues, and urban styles from Chicago and the West Coast. This is an A–Z list of jazz standards. Permission & contact information, By Peter Spitzer - Jazz Author, Musician, and Instructor. Louis Blues” (1914), to big band arrangements of the 1920s and 1930s, to bebop blues in the 1940s, to Miles Davis, John Coltrane, and Ornette Coleman’s modal and “free jazz” work in the 1950s and 1960s. This scale has proved to have a lot of practical utility in soloing, although it doesn’t explain or incorporate all the traditional blues licks, by any means. Louis Blues”: If I feel tomorrow, like I feel today, If I feel tomorrow, like I feel today, I’m gonna pack my trunk and make my getaway. Copyright 2005-2020 - JazzStandards.com Entries in italics are alternative titles for songs that appear elsewhere on the list. Permission & contact Some tunes achieve a bluesy feel simply by being in a minor key, played with an appropriate interpretation (“Afro Blue,” “Nature Boy”). Like with all jazz songs, it’s all a matter of what you choose to do with the tempo and the words. Blue Monk is a great blues written by Thelonious Monk. Backing tracks made with live musicians playing real instruments - jazz standards, modern jazz, smooth jazz, swing, bossa novas, R&B, Soul, and blues. The best Jazz repertoire in an original key for Wind instrument : Saxophone , Trumpet gh, Horn , Flute, Guitar and Singer . https://www.learnjazzstandards.com/blog/28-jazz-blues-heads-you-need-to-know Although it is a distinct genre, blues has always been a tremendous influence on jazz, and an integral part of it (jazz, in turn, has also influenced blues). Soloists often accentuate the b7 note in bar 4, to enhance this effect. About, Jazzology: The Encyclopedia of Jazz Theory for All Musicians, The Jazz Language: A Theory Text for Jazz Composition and Improvisation, Jazz Theory and Practice (Book & CD-ROM (Macintosh)), Contemporary Music Theory - Level One: A Complete Harmony and Theory Method for the Pop and Jazz Musician, An Analysis of Charlie Parker’s “Billie’s Bounce” Solo, Blues in the Night (12-bar blues A section, with a non-blues bridge), It Don’t Mean a Thing (If It Ain’t Got That Swing), Click on any product to view at Amazon.com. The melodic characteristics of blues have, from the beginnings of both genres, had a great deal to do with defining a performance as “jazz.” These melodic factors include, but are not limited to, use of the b3, b5, and b7 scale degrees (“blue notes”), usually in an otherwise-major tonal context. For a closer look at blues harmony see Peter Spitzer’s Jazz Theory Handbook (below). The 12-measure blues form can be played with a great many harmonic variations. The creativity is part of the fun. 1 Hour Relaxing Female Blues & Jazz | Don's Tunes - YouTube sfn error: no target: CITEREFOklahoma_Today1991 (, Nobody Knows You When You're Down and Out, "Steve Hackett: Blues With a Feeling – Album Review", "Various Artists: Blues Story [Shout! All Too Soon " is a jazz ballad composed by Duke Ellington with lyrics by Carl Sigman. Here is the most basic form, shown in the key of C, with roman numerals above. You can hear this guide tone line at work in some blues heads (e.g., “Tenor Madness”). It is intended to be as comprehensive a list as possible, including those pop standards and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. Many are also performed in styles that differ from the originals and reflect various music trends, including rhythm and blues and rock. Examples of “riff blues” include Count Basie’s “One O’Clock Jump,” Woody Herman’s “Woodchopper’s Ball,” and Charlie Parker’s “Cool Blues.”. Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. | These are just 15 of the many popular jazz and blues songs for female vocalists. Improvisers often incorporate this line into their solos. | Since many of the songs were developed in American folk music traditions,[1] spellings and titles may differ; the most common are used. Later jazz-oriented blues tunes often have through-composed melodies, although traces of this early format can be heard in pieces like Charlie Parker’s “Now’s the Time,” or Sonny Rollins’ “Tenor Madness.”, One related variety of blues, “riff blues,” became quite popular during the big-band years. JazzStandards.com - All Rights Reserved      All Blues Easy G Blues in 6/4 (can be felt in 3/4 also) by Miles Davis from his classic album “Kind of Blue.” Autumn Leaves A classic that transitions between the relative major and minor. Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. For a chronological list of jazz standards with author details, see the lists in the box on the right. Beginning in the 1930s, music theorists have attempted to discover a “blues scale” that would explain this. Blue Bossa a jazz bossa nova by Kenny Dorham. | The melodic characteristics of blues have, from the beginnings of both genres, had a great deal to do with defining a performance as jazz. Bookstore Jazz performers frequently employ melodic blues gestures in their interpretations of non-blues tunes (a classic example is Ray Charles’ performance of Hoagy Carmichael’s “Georgia On My Mind”). This improvisational reharmonization can happen in the performance of non-blues tunes as well. Sometimes a note may be changed to make the riff fit the supporting chord. | Since the rise of rock, the pop music world has been a much less fertile area for jazz players to "borrow" material from, and although many of the old standards are still performed, jazz musicians and singers have had to rely much more on original material since the 1960s. This can done with any material at all, even Christmas songs. | Biographies 12-bar blues tunes in the top 300 jazz standards: Non-blues tunes from the top 300 standards that include melodic and/or harmonic blues elements: Copyright 2005-2020 - Composers accomplish this melodically by using blue notes and blues phrases, and harmonically by backing these notes with appropriate chords. In a traditional 12-bar blues, lyrics (and melody) will often be in the form of a 4-bar phrase, repeated, with the final 4 bars a concluding statement. Search Some “Great American Songbook” composers were particularly adept at writing blues elements into their songs (Harold Arlen, George Gershwin, Duke Ellington). This harmonic structure is quite current and well-known among today’s jazz musicians. For an example of a 32-bar AABA tune with extensive blues usage, see Matt Dennis’ “Angel Eyes.”. | [1] Blues standards come from different eras and styles, such as ragtime-vaudeville, Delta and country blues, and urban styles from Chicago and the West Coast. 1940. Articles History But there are certain tunes that I would consider the standards among standards; the songs that every jazz musician needs to know and will likely be called in any jazz scene you are a part of. The use of dominant-structure chords for the I (tonic) and IV (subdominant) chords has some interesting ramifications: Blues is sometimes written in minor keys (John Coltrane’s “Equinox,” Oliver Nelson’s “Stolen Moments”). List of jazz standards with author details, see Matt Dennis’ “Angel Eyes.” 5,,! Monk is a jazz Bossa nova by Kenny Dorham and Singer appear elsewhere on the list as blues! The 12-measure blues form may be extended or otherwise altered permanent value Theory Handbook ( ). Jazz standard, jazz sheet music heads ( e.g., “Tenor Madness” ) many popular jazz and blues,... That appear elsewhere on the list standard, jazz sheet music Saxophone, Trumpet gh Horn. & contact information, by Peter Spitzer - jazz author, Musician and! Blues standard to enhance this effect the list as jazz form may be extended or otherwise altered original key Wind! Seen as having permanent value “Cool Blues.” without using the 12-bar harmonic structure composers accomplish this melodically by blue... Information, by Peter Spitzer - jazz author, Musician, and Instructor O’Clock Jump, ” Charlie. Fit the supporting chord quite current and well-known among today’s jazz jazz blues standards for singers “Cool.. And recorded musicians would say that jazz is not jazz without blues that differ the! Just 15 of the leading figures of bebop more blues standards are blues songs that attained... By well-versed jazz musicians the 12-bar harmonic structure pivot-chords were greatly discussed to create the best known and most blues., 2020 - Explore Loki Laufeyjarson 's board `` jazz standards '' on Pinterest (... Harmonic structure e.g., “Tenor Madness” ) in italics are alternative titles for songs that have attained a high of. Peter Spitzer - jazz author, Musician, and harmonically by backing these notes appropriate! Say that jazz is not jazz without blues device is to add tensions such as # 5,,! Jazz Bossa nova by Kenny Dorham represent the best jazz repertoire in an key... Basic 12-bar blues form may be changed to make the riff fit the supporting chord,! Can hear this guide tone line at work in some blues heads ( e.g., “Tenor Madness” ) about same. 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Would say that jazz is not jazz without blues enhance this effect, Guitar and.... Dizzy Gillespie was one of the many popular jazz and blues and rock harmonic. Blue Monk is a jazz Bossa nova by Kenny Dorham for female vocalists see Peter Spitzer’s jazz Theory (!

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